Thursday, August 27, 2009
The Global Terrorist
The global terrorist has become a stereotype perferating all mediums of news and entertainment production. The arab person with the turbin and beard is the poster boy for any terror attack around the globe. The context or facts have become irrelevent in the sense that individuals will automatically envision this image when the word terror or terrorist is mentioned. Whilst this is a blatant form of orientalism seen in numerous pre- 9/11 films such as James Bond, never has theis image proliferated through the news.
Previously all countries would have had a different view/image of a terrorist, however with the Internet and the maginifed coverage of 9/11 this one image has become the global terrorist. As Lutz writes, “Great care must be taken to avoid stereotyping terrorists as persons from the Middle East who are determined to destroy the West” (2004). The global media create global issues and ignite global stereotypes and prejudices. The below video sums up the issue better than I can and gives a disturbing look at the impacts a small phrase, ‘Terrorist’ can make.
Sources
Lutz. B 2004, 'Global Terrorism,'Routledge: Taylor and Francis Group, Accessed on http://books.google.com.au/books?id=0YUCtOTEjncC&source=gbs_navlinks_s
Business/Technology Editors, 1998, 'Instant Globalization and Just-In-Time Localization -- Strategies for Success On the Web,' Business Wire. New York: Aug 11, 1998. pg. 1. Accessed 28 August 2009 from ProQuest 5000.
Tuesday, August 25, 2009
Fairfax- the effects of globalisation
This highlights the issues facing media in the 'global village, ' a term coined by Marshall McLuhan. Globalisation, mostly through the invention of the Internet means a new platform for journalism, as previously discussed. Yet companies are finding it difficult to deal with both the local and the global online. For example, the article noted dating site RSVP owned by the Fairfax brand also suffered loss over the past financial year. This site can be used globally, however links and networks people in local areas so that they have a better chance of meeting each other. In terms of journalism The Newcastle Herald online relies on about five stories a day of world news to cover its global content, the rest of the site is local content. But are those five stories enough to interest readers who live outside of Newcastle and therefore create a balance of global and local for their advertising market?
Probably not...
Online advertisements fell 8% in terms of profits for Fairfax. This could be because advertisers find it difficult to advertise to a broad audience as is found on the Internet. Another argument pushing for localisation over globalisation is the possible homogenisation of journalism. The article mentioned reports In The New York Times and the Washington Post about the possibility of forming a consortium to charge for online news content. In other words a partnership between News Corporation and Fairfax that would undoubtedly result in very narrow minded news content.
The local versus global debate is one of numerous facets, this article merely touches on the surface of the repercussions of loosing local content and moving local content to the online platform.
Tabakoff, N. 'Losses underscore worst environment that Fairfax chief has seen,' 25 August 2009, The Australian, Fairfax media.
Tuesday, August 18, 2009
Who will pay for journalism?
Online audiences have the ability to pick and choose as compared to a broadsheet paper where everything is in the viewers gaze. It is relatively easy for anyone to set up an information site or a classified site therefore reducing readership of major journalism sites and therefore reducing the pull of advertisers. The second problem with moving the current business model online is summarised by Murdoch. “The Australian-born media giant, with interests spanning the globe, says the news industry has been ''cannibalising'' itself - giving away what it produces at great cost. But last week, as he announced a massive $US3.4 billion ($4 billion) loss for his News Corporation, he pledged to shake up the newspaper industry by abandoning the hybrid business model that media proprietors had hoped would replace an old, broken one. Within 12 months, you'll have to pay if you want to read his papers, including the Herald Sun and The Australian, online” (Hyland, 2009).Within this debate over the new business model for journalism arises the question, who will pay for journalism?
There are numerous theories about this including sponsorship, philanthropy, niche market advertising and tapping into offshore audiences. Let us first look at the way current journalism is conducting business and paying for journalism on the Internet. The basic examples are sites such as smh.com.au which provide infotainment on their online site and news in their printed paper. While this is attracting new advertisers to the site according to Roy Greenslade (ABC, 2009) this is not a viable model.
ProPublica is the next example, a business which allows journalists to investigate whatever they are interested in and then sell the story onto news organisations. Of course this assumes that large news organisations will survive in the new media environment and therefore pay for journalism.
Subscription based online journalism, such as the Capital Times is the next option. This paper has operated since 1917 and is now purely online. While the carry over of readers to an online format has been successful this is once again not financing as many journalists as have been in news rooms in the past. This is because the cover price alone is not enough to fund the production of an entire paper, advertising has previously covered the difference.
Roy Greenslade said, “Journalism is a broad church,” (ABC, 2009) and these sections are slowly fragmenting into separate sites. This is tapping into the niche market which
Citizen journalism is a term that has arisen out of the problem of the changing media landscape. The ability of everyone to access the tools of journalism has allowed everyone to share their views and information, in essence be a journalist. But is this journalism and can citizen journalism be valued the same as professional journalism? Off the Bus is a project which aims at merging the two. Off the Bus is a project created by Jay Rosen which encourages a network of people interested in the same issue to supply information and opinion on the issue. Based on this a journalist can come in with their own research and the provided information and create a story with significantly less journalists then were previously needed to do the same task, but equal or greater amount of information. Of course this relies on individuals supplying information; however the existence of blogs seems to prove that people do feel the need to share information for no fee. Does journalism, therefore need to be paid for at all? Should journalism make money or does it exist outside of the platform it is currently on?
There is no doubt that journalism can make money, however all of the facts are currently leading to the conclusion that journalism in the future will involve less journalists and less profit margins if any. This does not mean a poorer quality of journalism because citizen journalism and independent information sharing has led to a greater collection of knowledge and knowledge collection for journalists to tap into. BBC online is the widest used news service providing further evidence that journalism is valued and that large media groups are the most trusted for such information. “Alarmed at the decline of regional commercial TV news, the British Government is taking £130 million ($260 million) from the annual TV licence fee, paid by Britons to fund the state-owned BBC, to help prop up news programs by independent network ITV” (Hyland, 2009).
Convergence seems to be the current answer to the payment of journalism. Media convergence is the use of multiple media to create complex and rich sites of meaning (Burnham, 2000). Jenkins has an even more in depth view of this convergence.
“Flow of content across multiple media platforms, the cooperation between multiple media industries, and the migratory behaviour of media audiences who will go almost anywhere in search of the kinds of entertainment experiences they want. Convergence is a word that manages to describe technological, industrial, cultural, and social changes, depending on who's speaking and what they think they are talking about” (Fulton, 1996).
An example of this is the program Master Cheff which airs on television, but has extra material on the internet and contestant profiles in magazines, hence access across numerous mediums. For journalism this would mean that profits from one medium could fund journalism in another medium. This would also help with the transition of audience because newspaper stories could have special links and video footage on their site which are further developed and used on television or in downloadable full length documentary version. The convergence leads to advertising packaging and subsidisation through more profitable enterprises (Simmons, 2009). According to The Future of Journalism, “The Nine Network, through NineMSN, has the most successful multi-platform model of any of the commercial TV networks. Seven has also teamed up with a new media company to create Yahoo!7, also rising up
QUESTIONS
1. Professional journalists act as gatekeepers between audiences and information. If citizen journalists also produce journalism will audiences be able to differentiate between what is and is not reliable information?
2. Could wire services become open to subscriptions by individuals in the future world where newspapers are no longer the buffer between wire and reader?
3. “Musicians and bands used to have to wait for big-money record labels to record, package and promote their work. There was a good chance they'd be ripped off along the way. With digital recording, there are now thousands of labels and independently produced CD's that find niche markets. An entirely new economy has emerged to support these artists. Combined with increased bandwidth, the direct sale and transfer of this independently produced music cuts the traditional music industry out of the picture” (Bryon, 2001).
If journalists were to operate in this way-merging passion with careful deployment of technology, will news and information journalists survive in this market?
4. Is convergence the key?
Bibliography
McKnight, D & O’Donnell, P 2008, ‘The winter of journalism’s content’, The Australian Online, 3 September, viewed 12 August 2009, <http://www.theaustralian.news.com.au/story/0,25197,24283745-7582,00.html>
Kerr, C 2009, ‘Readers key to future of journalism’, The Australian Online, 1 July, viewed 12 August 2009, <http://www.theaustralian.news.com.au/story/0,25197,25717846-7582,00.html>
Simmons, M 2009, How Much would you pay for Journalism, Crikey, viewed 12 August 2009, <http://blogs.crikey.com.au/contentmakers/2009/02/11/how-much-would-you-pay-for-journalism/ >
Hyland, T 2009, ‘Stop the presses’, The Age Online, 9 August 2009, viewed 12 August 2009, <http://www.theage.com.au/national/stop-the-presses-20090808-edmh.html?page=-1>
Hills, R 2008, What Does the Future of Journalism Look Like? Digital Eskimo, viewed 12 August 2009, < http://newmatilda.com/2008/05/02/what-does-future-journalism-look>
The Future of Journalism 2009, Life in the Clickstream, Walkley Foundation and Media Alliance, viewed 10 August 2009, <http://www.thefutureofjournalism.org.au/life-in-the-clickstream/60-chapter-6-crystal-ball-gazing?start=5>
Hope, C 2002, ‘News in the digital age’, The Futurist, vol. 36, no. 5, pp. 8(2), viewed 13 August 2009, ProQuest 5000.
Fulton, K 1996, ‘A tour of our uncertain future’,
Isaacs, S 1994, ‘The golden age, maybe?
Burnham, A 2000, ‘Journalism.com’, The Virginia Quarterly Review, vol. 76, no. 2, pp. 203(11), viewed 13 August 2009, ProQuest 5000.
Meyer, P 2004, ‘Saving Journalism’,
Rich, B 2001, ‘Digital technology could lead journalism back to its roots’, Nieman Reports, vol. 55, no. 2, pp. 90(2), viewed 13 August 2009, ProQuest 5000.
Wednesday, August 12, 2009
Is my Degree merely a piece of paper?
1. That to write an opinion about society, or to make a record of an event is journalism.
2. That people not being payed for journalism are citizen journalists.
3. That citizen journalism has a different value or authenticity than non citizen journalism.
4. That citizen journalists are different in that they either lack skills or have different skills to professional journalists.
5. That professional journalists are a defined social group.
The first note to point out is that journalists are a varied group. Some went through university, like myself, and have a piece of paper to prove they have received a certain level of training. Some received traineeships learning in the business and some simply fell into the job after a successful sports or acting career. Some are paid, some belong to a media empire and others freelance. There is no mould for the journalist, just as there is no mould for journalism.
As I am a self-proclaimed, almost university qualified journalist does that mean I am more qualified to write a piece on the Galapagos turtle than an expert on Galapagos flora and fauna? In essence I am asking, do I as a 'qualified journalist' have more authority than a citizen journalist?
This discussion has so far been based on my opinion and the questions I have about this issue, exactly what other bloggers would be writing. Yet is my blog a more reliable source because I am a professional journalist, rather than a citizen journalist?
These are just some of the questions my blog will deal with. I hope you enjoy investigating the ins and outs of this industry with me.
To be continued...